NORMA offers a thoughtful critique of the notion of normality, exploring identity interaction through the lens of the body. 

Solaz celebrates dance as a play of the body, where improvisation, composition and live creation become powerful channels of expression and reflection.

This choreographic research project delves into the poetry that lies in the imperfection of human relationships: their communicative fissures, their collapses, their inertia, their resistance. 

This choreographic work explores the concept of war from an allegorical approach, placing the body at the service of everyday concepts such as conflict, crisis, resistance, tension or evasion, taking as its starting point the 'Pharsalia' by Marcus Annaeus Lucanus (39-65 AD).

The third in a series of proposals by the Antonio Ruz Company, which fulfil the purpose of taking dance out of the stage box and forgetting the frontality, changing the perception of the choreographic event in a close and three-dimensional context.

Aún a celebratory meeting in which more than 20 interpreters who have collaborated with Ruz in the last ten years revisit some of the works of the Company’s trajectory to generate a new original piece, contributing new approaches to existing projects.

An unreleased ballet from the avant-garde era whose premiere was thwarted by the outbreak of the Spanish Civil War coproduced by Fundación Juan March and Gran Teatre del Liceu. 

Antonio Ruz’s first creation for Compañía Nacional de Danza, proposes a dialogue between religious music and pop music, the sacred and the mundane, the collective and the individual.

A multidisciplinary stage performance created with beside violist Isabel Villanueva that opens a new window to classical music and contemporary dance.

This creation proposes an evocative game where the dancers enter into a dialogue with architecture, light and live music throughout different spaces of Museo de la Universidad de Navarra. 

Compañía Antonio Ruz takes on the concept of the 'present' through the senses and explores the relationship of movement and matter with stimuli as avenues of expression.

First plot creation by Antonio Ruz for Ballet Nacional de España in which he revisits the myth of the Greek tragedy set in Spanish popular culture.